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23 March 2021
“The availability of these grants has inspired ensembles to start planning, and given musicians hope of playing together again following a year of isolation, uncertainty and cancelled performances.”
– Tina Vadaneaux, Founder of Continuo Foundation
New charity Continuo Foundation (“Continuo”), today announces the awarding of its first round of grants to UK period-instrument ensembles, supporting 23 projects creating work for well over 300 freelance musicians. Established in October 2020, Continuo was set up by former City director and classical music lover Tina Vadaneaux to support the community of period-instrument ensembles across the UK, many of whom haven’t played together since March 2020 due to the Covid-19 pandemic.
In response to Continuo’s January announcement of the launch of a £100,000 first round of grants, applications were submitted by 65 period-instrument ensembles, with grant requests totalling £475,000. After receiving another £50,000 from generous donors in February, Continuo’s Trustees decided to increase this grant round to £150,000, in recognition of the urgent need and abundance of excellent applications.
Vadaneaux adds:
“The number of very worthwhile projects exceeded our available resources by a long way. Subject to raising sufficient funds, we will launch a second grant round in the summer for projects from autumn 2021. We are also seeking additional major donors to provide the core funding required to roll out our longer-term plans to bring innovation and technology to grow the sector and make period chamber music accessible across the UK. ”
Continuo’s decisions for awarding the first round of grants were the result of a rigorous two-stage evaluation process. With input on artistic merit from its expert Advisory Panel, the Trustees then sought to balance these recommendations with considerations of financial need and applicants’ access to alternative funding sources. Supported projects are scheduled to take place from April to September 2021 in venues across the country, and will include concerts with live and digital audiences and CD recordings.
Trustee Hannah French comments:
“The breadth and diversity of work being planned for the months ahead is truly inspiring. We’re thrilled to be able to support such a variety of projects showcasing the talent of freelance period-instrumentalists and highlighting the vital role they play in British cultural life ”
The 23 projects are from ensembles small and large, both long-established and more recently formed, and span repertoire from the medieval dance music of Joglaresa to the world premiere of Errolyn Wallen’s new opera ‘Dido’s Ghost’ for the Dunedin Consort. Highlights over the next few months include:
The English Concert records Handel’s opera ‘Tamerlano’ at Sage Gateshead
Fretwork records music by Leonora Duarte, the only 17th century woman composer for viol consort
Consone Quartet tours a series of chamber concerts to beautiful old barns around the UK
The 23 First Round Grantees are: Boxwood & Brass, The Brook Street Band, Consone Quartet, Dunedin Consort, Ensemble Augelletti, Ensemble Hesperi, Ensemble Marsyas, Ex Cathedra, Feinstein Ensemble, Florilegium, Fontanella, Fretwork, His Majestys Sagbutts and Cornetts, Illyria Consort, Joglaresa, La Nuova Musica, La Serenissima, Linarol Consort of Viols, London Handel Orchestra, The Mozartists, Palisander, Spiritato and The English Concert.