OUR GRANTS

Continuo Foundation announced its first round grant awards to 23 period-instrument ensembles in March 2021. We have been thrilled to see these projects go ahead, as have the musicians engaged.  
Please join our mailing list to receive exciting news and highlights from the range of projects supported by our first round of grants. 
Continuo Foundation grants aim to address the needs of period-instrument ensembles of all sizes.

The objective of our first round was to restore confidence across the UK historical performance sector by supporting the economic viability of a range of artistically excellent projects creating employment for freelance musicians. ​

Grant Round 2 continues this support for a further six months, for projects until March 2022. We also aim to encourage ensembles to take projects to all regions of the UK. This grant round is currently underway, with grant awards expected to be announced by 21st September 2021.

The criteria and objectives for future grant rounds will evolve to reflect Continuo Foundation’s long-term mission and the requirements of ensembles.
 
We aim to learn and improve with each round, in order to better serve the needs of the UK historical performance sector and to help it to flourish. 

FIRST ROUND OF GRANTS


Applicants were invited to request amounts ranging from £1,000 to £10,000, and the results of Continuo Foundation's evaluation process were announced on 23 March 2021. 
 
The primary goal of these grants was to enable ensembles to proceed with artistic projects, and to engage musicians, despite the uncertainty around restrictions due to Covid-19.
 
These grants are supporting 23 ensembles, many of whom hadn't played together since March 2020. The projects we have backed are creating paid performance activity for well over 300 freelance musicians (instrumental and vocal) in projects from April to September 2021. 

There were many more than 23 worthwhile projects which Continuo Foundation would have liked to support, had there been more funds available. We hope to expand our reach and to help more ensembles in the next round.  

SELECTION CRITERIA

ELIGIBILITY
Eligible ensembles were UK-based professional groups of at least three musicians playing period instruments, or faithful replicas, and focusing primarily on music repertoires from the Middle Ages up until the early 19th century. The proposed projects could include vocalists, as long as there were a minimum of three instrumentalists. Projects could also include new works commissioned for period instruments or combine early and contemporary repertoires in their programmes.
EVALUATION
The main objective of the first round of grants was to support projects of outstanding artistic merit which create work for as many freelance period musicians as possible. As such, the key criteria for assessing applications in this round of grants were:
 
  • the artistic merit and originality of the proposed project; and
  • the number of instrumentalists engaged and the proportion of the grant funds dedicated to artists’ fees.
 
Other areas considered by the Advisory Panel and Trustees included: 
  • public performances, including those cancelled in 2020, since 2017
  • critically acclaimed recordings (including CDs, broadcasts, videos, etc.) since 2017 
  • confirmed concert bookings cancelled due to Covid-19
  • support of early-career instrumentalists and vocalists 
  • innovative programming, including works by diverse composers 
  • diversity of performers and administrators 
  • involvement in outreach and education projects 
  • registered UK charity 
 
In choosing which projects to support, the Trustees sought to balance artistic excellence with considerations of financial need and access to alternative sources of funding, in order to maximise the impact of grant funds on the preservation of the UK's historical performance sector and the careers of its freelance musicians.
 
The Trustees also sought to support a group of projects which highlights the variety and vibrancy of UK period-instrument ensembles and the range of repertoires offered by these groups. The first round project programmes range from medieval to baroque to classical to early-Romantic, and extend to a major new opera commissioned from Errollyn Wallen specifically for period-instrument orchestra.